Frieze London | Galleries: Sofía Bassi, Jennifer Bartlett, Virginia Chihota, KV Duong, Jacqueline de Jong, Mary Kelly, Tomas Leth, Tamar Mason, Wangari Mathenge, Katy Moran, Masao Nakahara, Jaune Quick-to-See Smith, Liorah Tchiprout, Shaqúelle Whyte, George Wilkin, Qualeasha Wood

Frieze London 

Regent's Street 

VIP Preview: 14-15 October 2026

Public Days: 16-18 October 2026

For Frieze London 2026, Pippy Houldsworth Gallery is pleased to exhibit works by artists including Sofía Bassi, Jennifer Bartlett, Virginia Chihota, KV Duong, Jacqueline de Jong, Mary Kelly, Tomas Leth, Tamar Mason, Wangari Mathenge, Katy Moran, Masao Nakahara, Jaune Quick-to-See Smith, Liorah Tchiprout, Shaqúelle Whyte, George Wilkin, Qualeasha Wood.

The presentation brings together multigenerational artists whose practices hold a shared attention to how identity is formed through personal, cultural, and digital systems. The presentation builds upon the success of Frieze London 2025, with Shaqúelle Whyte awarded The Contemporary Art Society's Frieze Collections Fund, and Liorah Tchiprout awarded the Arts Council Collection Frieze Fund, which Whyte was also selected for at Frieze London 2024.

Presented by Pippy Houldsworth Gallery for the first time at Frieze London are works by the late Salish and Kootenai artist Jaune Quick-to-See Smith. Smith was the first Indigenous artist to have a touring retrospective at The Whitney Museum of American Art, NY in 2023, and the first to enter the permanent collection of The National Gallery of Art, Washington, DC in 2020.

Further highlights include works by Shaqúelle Whyte, whose psychologically charged paintings stage Black figures within enigmatic, atmospheric environments. In the past year, Whyte's paintings have been acquired by Walker Art Gallery, Liverpool; ICA Miami, FL; and Wolverhampton Art Gallery, where he presented his first solo institutional exhibition. Likewise, Wangari Mathenge's figurative tableaux offer intimate portrayals of Black subjects in moments of stillness and reflection, creating space for self-possession and diasporic recollection. In 2025 her work was acquired by Detroit Institute of Arts, MI and Indianapolis Museum of Art, IN.