Lotty Rosenfeld (b. 1943, Santiago, Chile) studied at Escuela de Artes Aplicadas, Universidad de Chile, specialising in printmaking. In 1979, dissatisfied with making ‘decorative’ art during the Pinochet dictatorship, Rosenfeld co-founded the interdisciplinary politico-artistic collective CADA (Colectivo de Acciones de Arte) with fellow artist Juan Castillo, sociologist Fernando Balcells, writer Diamela Balcells, and poet Raúl Zurita. CADA played an instrumental role in reigniting critical reflection on the role of art in society within dictatorial Chile: its NO + project laid the groundwork for the ’No’ campaign in the 1988 plebiscite that finally overthrew the dictatorship. Rosenfeld has exhibited at major museums including The Museum of Modern Art (MoMA), New York, the Hammer Museum, Los Angeles, and the Brooklyn Museum, New York. Her work was featured in the Chilean Pavilion at the 56th Venice Biennale (2015) and Documenta 12, Kassel (2007). Her work is held in the collection of MoMA, in addition to works by CADA.